One day, some of the futures we currently imagine won’t be available to us. How can we encourage those we want and discourage those we don’t?
20th - 21st March 2013, I lead a two day workshop Art Futures for the…
Recalled from composite memory in 2061, Self Portrait: Arnolfini is a relational timeline of institutional self-consciousness. The complete timeline is being tweeted @SP_Arnolfini…
This is my contribution for (the) Evidence: images that move
1895 cast in period costume
1. Establishing shot:
Mid shot: Large wooden factory gates.
Fade from black
Gates swing open, and workers stream from the factory; women, men, children, dogs, a few…