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A cold overcast Thursday in March, it’s 1914. After a lazy lunch with Eva at la Rotonde I pick-up an old broken wine crate abandoned outside the cafe and carry it to my studio. The one on the boulevard Raspail. With a hammer I break the crate down and save a thin but broad strip from the bottom…

 A Shadow of Marx a chapter I wrote in 2004 for  Companion to Contemporary Art Since 1945 edited by Prof. Amelia Jones. The publication has an…

Lost Property resulted from an unrealised project initiated by the Public Art Development Trust in 1995. In collaboration with Marysia Lewandowska we were invited to make a proposal for the design of a London Underground Station. The proposal was rejected but the research, photographing…

I live on the Boundary Estate in Shoreditch, east London. Across Bethnal Green Road to the south is the disused Bishopsgate Goodsyard a derelict railway goods depot that has lain abandoned since 1964. Ballymoor and Hammerson are the current owners proposing to redevelop the site with 1.4 million…

Some years ago as part of Critical Practice at an event called Insatiable we repurposed…

I was invited by microsillons to contribute to Communes évidences. The invitation was to respond to the question

TO WHAT SUBJECTS, TOOLS OR TACTICS SHOULD WE URGENTLY EDUCATE…

I've been thinking about things, how they're imagined, produced and circulate for some time. Living near Brick lane in London, which used to be a vast flea-market, has encouraged me to think about the material underside of consumption.

A flea market connects peoples’ actual needs and…

Lapdogs was installed as part of the exhibition Lapdogs of the Bourgeoisie at the Arnolfini in Bristol, and previously at the Townhouse Gallery in Cairo.

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I'm interested in collecting as a method for making, and making sense of our biosphere. For a while, I washed and put on a shelf an example of every plastic bottle that passed through our house. Collected, these otherwise overlooked things…

I wrote a text Socialised Afffection about my grandmothers love of woodgraining for Specialism, a new publication from Open Editions.

Here is a short extract....

I remember the parlour. We…