neil cummings

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Where: London, EC2


Why: This event initiates a series of walking tours and events that constitute Critical Practice's ongoing Research on Value 

What: Three…

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Time lapse document of prospectus, with thanks to Blanca Regina

We began, students, staff, experts and others at Chelsea College of Art and Design, through collaboration and practice based…

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I spent the beautiful summer solstice with Carmen on the playa de Ñora, Asturias, Spain.

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I contributed to

Questions of Value - From Commons to Communomics: Resisting Privatization

If we are to think through structures of evaluation, even momentarily, we have to grapple with money.

Someone has to do it.

Money represents only %2 of the financial value in…

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The exhibitionary component of Prospectus was temporarily closed for a feminist consciousness raising workshop.          …
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We began, students, staff, experts and others as Exhibition Experiments.

The initial idea was, through…

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Assembly (Private View): 6- 8.30pm Thursday 24th May

prospectus is an experimental…

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I was recently asked for material about Collected, this is almost all I have..... I conceived and curated Collected, it was coordinated by The Photographers Gallery, London in 1997. This digital account…

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Devised and convened by Neil Mulholland, with Dave Rushton of the Institute of Local Television, I contributed to......

Shift/Work: Developing participatory workshop models for educating…

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I contributed a presentation on Parade to Digital transformations at the University of Westminster.

Digital…

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At the Jeremy Deller exhibition Joy in People , at the Hayward Gallery there was an embossing- press with a modified quote from Jean Paul Sartre. I took a five pound note out of my wallet, and impressed 'Hell is Other People's Money'.

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The Stuff That Matters Textiles collected by Seth Siegelaub 1 March to 6 May 2012

On Saturday 3rd March I visited…

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I participated in Critical Practice's intense and provocative #ValueCamp. It was part of our collaborative research towards Transacting a Market of Values

We are machines of evaluation, constantly attributing…

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Below is an short extract from A Shadow of Marx a chapter I wrote in 2004 for  Companion to Contemporary Art Since 1945<  edited by Prof. Amelia Jones. The publication has an innovative structure, it mixes thematic sections with historical overviews, and is intended as a student '…

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As part of the Samsung Art+Prize there will be a rare London screening of Museum Futures, at the BFI Project Space, South Bank, London.

After the screening I…

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Recalled from composite memory in 2061, Self Portrait: Arnolfini is a relational timeline of institutional self-consciousness. The complete timeline is being tweeted @…

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As part of the Samsung Art+Prize, I  tweeted the whole of the data sprite timeline of…

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I contributed a presentation to the international conference at the Free/SlowUniversity of Warsaw in October 2011, and two month later a beautiful 430 page publication is out. Amazing! 

An English…

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I will be in Plymouth to participate in the Finale Symposium for the British Art Show 7. With Tom Trevor, Director of…

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Sunday 20th November, on my way to the Critical Practice Walk and Talk at the Royal Observatory.

The walk -we were to meet at at 1pm- started at the Prime Meridian, Longitude 0° Latitude 51° 28' 38 N........ even if it…

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Exhibition Experiments (working title) is a collaborative practice-based research project into histories of exhibition.

Students, staff, experts and others at Chelsea College of Arts will together research the idea of exhibition as…

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I'll be contributing to the International Conference: Free/SlowUniversity of Warsaw

The Free University of…