Early March 2020. I could see the Covid pandemic overwhelming hospitals and cemeteries, decimating towns and cities in Italy – news from China was harder to discern – taking hold in Spain where I had just returned from, and forcing governments to implement lockdowns and quarantines. I imagined…
The financier James Stephens is a friend of mine and a respected book collector here in London. He specialises in rare and first editions of early American printed texts. James heard from a contact in the discrete world of bookselling that a reputable dealer in New York was offering for sale the…
A cold overcast Thursday in March, it’s 1914. After a lazy lunch with Eva at la Rotonde I pick-up an old broken wine crate abandoned outside the cafe and carry it to my studio. The one on the boulevard Raspail. With a hammer I break the crate down and save a thin but broad strip from the bottom…
A short and partial CV - 2022...
I was born in Wales and live in London. Currently I'm learning to live with less and experimenting with how to consume fewer resources. As part of these processes I'm making some of the things I …
A Shadow of Marx a chapter I wrote in 2004 for Companion to Contemporary Art Since 1945 edited by Prof. Amelia Jones. The publication has an…
The Enthusiasts Archive is the result of extensive research amongst the remnants of amateur film clubs in Poland under socialism. It's a critical archive of beautiful amateur films found, restored and made available.
Access the…
Lost Property resulted from an unrealised project initiated by the Public Art Development Trust in 1995. In collaboration with Marysia Lewandowska we were invited to make a proposal for the design of a London Underground Station. The proposal was rejected but the research, photographing…
I live on the Boundary Estate in Shoreditch, east London. Across Bethnal Green Road to the south is the disused Bishopsgate Goodsyard a derelict railway goods depot that has lain abandoned since 1964. Ballymoor and Hammerson are the current owners proposing to redevelop the site with 1.4 million…
Some years ago as part of Critical Practice at an event called Insatiable we repurposed…
I was invited by microsillons to contribute to Communes évidences. The invitation was to respond to the question
TO WHAT SUBJECTS, TOOLS OR TACTICS SHOULD WE URGENTLY EDUCATE…
I'm slowly learning to live with less and experimenting with how to consume fewer resources. As part of these processes I'm making some of the things I might need or want. I recently made a bench.
…
Commissioned by Bruce Ferguson for Walking,Thinking, Walking Louisiana Museum Of Modern Art, Denmark
The publication Errata was a parasitical intervention into a public museum, both as a guide and via the catalogue of the collection.
From the Introduction
The…
24Hour Hackney: A City Symphony was world premiered at a festival screening celebrating the end of a year-long digital film-making project at Open School East.
Inspired by a visit from the Echo Park Film Centre…
I've been thinking about things, how they're imagined, produced and circulate for some time. Living near Brick lane in London, which used to be a vast flea-market, has encouraged me to think about the material underside of consumption.
A flea market connects peoples’ actual needs and…
Museum Futures: Distributed - is a machinima record of the centenary interview with Moderna Museet’s executive Ayan Lindquist in June 2058.
The interview explores a genealogy for contemporary art practice and its institutions, by re-…
I'm interested in collecting as a method for making, and making sense of our biosphere. For a while, I washed and put on a shelf an example of every plastic bottle that passed through our house. Collected, these otherwise overlooked things…
The Enthusiasts Archive is the result of extensive research amongst the remnants of amateur film clubs in Poland under socialism.
It's a critical archive of beautiful amateur films found, restored and made available.
…