- Socialised Affection
- More things can happen
- Reading Things
- A Joy Forever
- Self Portrait: Arnolfini
- Museum Futures
- Circulating Artworks
- From Things to Flows
- Hacked Manifesto
- Lapdogs script
- A Shadow of Marx
- Value of Things
Submitted by neil on 13 December, 2012 - 17:27
Dragline c1950 stumbles across an autonomous machine, and via 1970's structuralist film, returns the logic of digital practice - find, copy, paste, repeat - to its industrial roots.
Commissioned as part of the British Art Show Six (2006), I collaborated with artists Marysia Lewandowska, Eileen Simpson and Ben White to explore public moving image archives in each of the four cities of the exhibition's tour; the project evolved into Screen Tests.
Dragline is assembled form an orhaned film fragment from the Media Archive for Central England in Lincoln.
Our intention was to source orphaned or out-of-copyright material from which to create a new filmwork - while simultaneously looking for copyright expired music in the British Library and Library of Congress archives to create an appropriate soundtracks.
During the exhibition, we also negotiated with each of the archives to release our new filmworks, along with the moving image source files and audio material, under a Creative Commons license. Enriching rather than depleting the public domain.
The beautiful soundtrack is composed by Ben White at openmusicarchive.org