I was invited by Joasia Krysa, the then Director of the Kunsthal Aarhus to contribute to a programme of events entitled The Perfect Institution: Culture 2017.

On the 11th December 2014 I made a public presentation using Self Portrait: Arnolfini and V&A bicentenial as speculative case studies. And on the 12th I facilitated a closed workshop  for Aarhus staff.

The Perfect Institution, was a programme of events across the fields of culture and business that took place  between September 2013 and February 2014 . It set out to offer a pragmatic guide to constructing an art institution that responds to future cultural and economic conditions. The aim, was not merely to adapt to change, but to begin to shape those changes. ­

In 2010 I collaborated with 51% studios on an entry into a com­pe­ti­tion, A Room for London. The brief was to design a tem­po­rary 'hotel' room on the roof of the Queen Eliz­a­beth Hall at the South Bank. Although our entry was rejected, I enjoyed the process and especially their blackboard traces. See more of the drawings.

 I contrbute to Critical Practice, here is an invitation to an event we are working on.

Dear ******

We are writing to inform you of Parade, an upcoming event facilitated by Critical Practice.

Critical Practice is a cluster of artists, researchers and academics hosted by Chelsea College of Art and Design, a constituent

college of the University of the Arts London. We have a longstanding interest in public goods, spaces, services and knowledge, and a track record of producing original participatory events. For instance, in 2004 we organized Open Congress at Tate.

Chelsea College is opposite Tate Britain on Millbank, and has a large contemporary courtyard at its heart, the beautiful Rootstein Hopkins Parade Ground. We have worked with our Polish partners over the last year to develop a program of events that will explore different, contested and vital conceptions of being in public. These events will unfold over Saturday 22nd and Sunday 23rd of May 2010. We will investigate the history of public space and the public sphere, along with differing cultural perceptions of 'being in public', the politics of public assembly, the socialization implicit in 'publicness', the architecture of public knowledge, and much more besides.